The Godfather, directed by revered filmmaker Francis Ford Coppola, is a period drama that realistically depicts the hardships and misfortune associated with the Italian Mafia in the early twentieth century. Coppola’s film tells the fictional story of Vito Corleone and his endeavors as the head of an organized crime family in New York City.
The Godfather allows its audience to become transfixed in the secret, underground dealings of an extremely powerful crime organization that is built upon both trust and fear. However, maintaining this power does not seem to be a simple task, as the Corleone family faces the constant threat of other families who desire their fortune and supremacy. In addition to the film’s well-constructed plot, Coppola remarkably utilizes various film elements in order for the audience to better connect with the characters in an emotional manner. It’s the emotional appeal of The Godfather that makes it one of the greatest films of all time.
Below are two student’s perspectives on the 2002 film City of God.
Fernando Meirelles’ 2002 film, City of God, is a work of art that is full of realistic depictions of the violence and drama associated with the impoverished favelas in Cidade de Deus during the 1970s. By utilizing the viewpoint of a young photographer (known as “Rocket”), this film immerses the audience within a story that needed to be told.
Based on a true story, Rocket experiences how the early influence of “Robin Hood-like” gangsters caused the growth of dark lawlessness and corruption within this Brazilian city. Although his peers and older brother, Goose, surrender to criminal activity in order to survive, Rocket struggles to avoid these temptations of misdeed. It is the sociopath, Li’l Zé, who leads the mayhem of murder and crime that takes place within the neighborhood. This film utilizes a wide variety of unique cinematographic techniques in order to convey the truth behind the activities of these gangsters.
Meirelles’ use of fast editing within the film helps to display the true nature of Rocket’s environment. From shot to shot, events happen in a fast-paced manner. Cutting to different depictions of violence within a small amount of time causes the audience to fully experience the chaotic environment. Life is hectic and stressful within these slums. Meirelles utilizes classical cutting in order to help the audience to understand this different way of living. In addition, music in this film acts in a similar manner. The fast rhythm suits the rapid depictions of action within the slums. The choice of music also acts to paint a picture of the Brazilian culture while providing the film with surge of energy to keep the audience on their feet.