Editor’s Note: “Casual Critics” is a new feature we’re introducing this semester on the Jet Fuel Review Blog. It’s a weekly feature about film, written by two critics, Reno Stramaglia and Donatas Ružys. The two critics will switch off week after week, with this week’s post being written by Ružys.
Ray Kroc revolutionized the American fast food service industry in the mid-1950s by turning McDonald’s into one of the most successful and recognizable businesses in the world. John Lee Hancock’s biographical drama, The Founder (2016), depicts the true-to-life events that propelled Kroc (played by Michael Keaton) from being an obsessively ambitious shake-mixer salesman into one of the wealthiest men in the world.
Surprisingly, the film does not overly rely on the subject matter to draw in audiences. Instead, it is easy to sense the fitting selection of actors for key roles, as they naturally immerse themselves into heart of the narrative and in turn cause the audience to feel a wide range of emotions. Michael Keaton’s performance is exceptional and well deserving of recognition.
Below are two student’s perspectives on the 2002 film City of God.
Fernando Meirelles’ 2002 film, City of God, is a work of art that is full of realistic depictions of the violence and drama associated with the impoverished favelas in Cidade de Deus during the 1970s. By utilizing the viewpoint of a young photographer (known as “Rocket”), this film immerses the audience within a story that needed to be told.
Based on a true story, Rocket experiences how the early influence of “Robin Hood-like” gangsters caused the growth of dark lawlessness and corruption within this Brazilian city. Although his peers and older brother, Goose, surrender to criminal activity in order to survive, Rocket struggles to avoid these temptations of misdeed. It is the sociopath, Li’l Zé, who leads the mayhem of murder and crime that takes place within the neighborhood. This film utilizes a wide variety of unique cinematographic techniques in order to convey the truth behind the activities of these gangsters.
Meirelles’ use of fast editing within the film helps to display the true nature of Rocket’s environment. From shot to shot, events happen in a fast-paced manner. Cutting to different depictions of violence within a small amount of time causes the audience to fully experience the chaotic environment. Life is hectic and stressful within these slums. Meirelles utilizes classical cutting in order to help the audience to understand this different way of living. In addition, music in this film acts in a similar manner. The fast rhythm suits the rapid depictions of action within the slums. The choice of music also acts to paint a picture of the Brazilian culture while providing the film with surge of energy to keep the audience on their feet.