Jet Fuel Jukebox for 11/14/17

Monday got you feeling down? Well, 1: It’s Tuesday, and 2: Jake and I have arrived with our weekly supply of new music for you to listen to and (hopefully) enjoy!

While album releases have more or less been halted as of late — except for that gargantuan, new Taylor Swift record that released this past Friday — there have been a number of stellar singles hitting the charts. With this week’s playlist, we’ve highlighted some of these new singles.

Hit play on the Jukebox below, and savor the excellent brand new sounds from Whitney, Carly Rae Jepsen, The Wombats, and Rita Ora.

— Michael Lane, Blog Editor

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Between Rock and an Indie Place: “You’ve Got A Woman” and “Gonna Hurry (As Slow As I Can)” by Whitney

http://bit.ly/2xjBdAH

What do you do if you’re one of Chicago’s top indie bands and you’re still coming off of releasing an incredibly successful debut LP from last year? Well, if you’re Whitney, then you release a cover of Dolly Parton’s “Gonna Hurry (As Slow As I Can),” along with another cover of a song called “You’ve Got a Woman,” by 70s Dutch psychedelic band, Lion. This is not the type of content that one would expect from a contemporary indie band. Upon further thought, however, it makes sense that this type of experimentation would earn Whitney such positive critical recognition. Releasing these covers shows their bravery and nuance in the scope of indie rock music being produced today.

Unsurprisingly, the covers have been initiating many listeners to respond about how pleased they are with the results of Whitney’s electrifying new releases. Reporter Alex Robert Ross states in a Noisey article, “Because Julian Ehrlich’s voice can hit highs that few other modern indie bands dare to reach for, Whitney sounds comfortable on both covers.” He calls the official music video for “You’ve Got a Woman” “sun-dappled in parts, retro, handsomely shot, and at home in a dive bar.” I can usually get behind the majority of the music that VICE promotes. I am glad that it seems like people are agreeing that these covers are amusing as opposed to just strange.

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