“Such forces cannot be named, cannot be spoken, cannot be imagined except under a veil and a symbol, a symbol to the most of us appearing a quaint, poetic fancy, to some a foolish tale. But you and I, at all events, have known something of the terror that may dwell in the secret place of life, manifested under human flesh; that which is without form taking to itself a form.”
— Arthur Machen, “The Great God Pan”
Junji Ito, writer and artist for noted horror comics Uzumaki, Gyo, and Tomie, among others, is certainly no stranger to the idea of terror dwelling in the secret place of life, veiled behind a symbol. With Uzumaki in particular, Ito channels cosmic fear in a way that firmly places him alongside the likes of Arthur Machen and H.P Lovecraft. Uzumaki is centered around teenager Kirie Goshima, her boyfriend Shuichi Saito, and the spiral. It is this last element that ultimately makes Uzumaki so terrifying, because unlike most horror narratives, there is no tangible villain to put a face on, let alone battle, but a terror that is so ultimate that it must remain veiled behind a simple symbol.