Unretired and Unremarkable: A Review of “Unsane”

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In spite of enjoying a successful career throughout the first decade of the new millennium, acclaimed director Steven Soderbergh announced in 2012 that he would be retiring from filmmaking. This declaration didn’t last very long, as he returned from his hiatus just five years later with the very fun and underappreciated NASCAR heist thriller, Logan Lucky. While this was a definite return to form for the Academy Award-winning director of Traffic, Soderbergh’s second comeback feature, Unsane, isn’t nearly as successful.

Unsane (which is actually quite an awful title for a film) was created in secret sometime last year, having been shot entirely using iPhone 7 Plus cameras. And it is probably in this way that Unsane is most intriguing; not because of the narrative the film itself offers, but because of the bizarre story behind its unorthodox production. While Unsane may be rightfully billed as a psychological horror-thriller, the end result produces very few thrills, and the horrors that it retains are likewise disappointing.

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