Below is a review of the recently-released Thor: Ragnarok, written by Lewis University student Jerry Langosch.
Since 2008 with the release of Iron Man, Marvel Studios have been, like clockwork, pumping out energetic, focused films in their Marvel Cinematic Universe (MCU). They tell the tales of their plethora of superheroes and villains to the tune of millions of dollars in production costs, but billions in return from the box office, with 2012’s The Avengers being the shining star (making $1.5 billion on a $220 million budget). The Thor franchise, though, sticks out from the most from the bunch, as it is rooted in real Norse mythology. And though it is a tall order to hand over such material so heavily-rooted in mythology to any filmmaker, Marvel’s decision to put New Zealand’s Taika Waititi behind the third entry in this series is, astonishingly, the best move that the company has made in tapping directorial talent to date.
Looking at the ever-expanding list of main players within the Marvel Cinematic Universe, it’s clear that my least favorite has always been Thor. At least, that’s what I thought before I saw the third and latest installment in the character’s solo film series, Thor: Ragnarok. Having skipped his previous two outings, I wasn’t particularly excited by Ragnarok’s announcement, especially with its release date stranded in between this summer’s awesome Spider-Man:Homecoming and next year’s potential-filled Black Panther.
However, given the spectacularly colorful and surprisingly humorous advertising, the film had gained my attention. Still, it was only upon learning that the film was being helmed by esteemed indie director Taika Waititi (What We Do in the Shadows, Hunt for the Wilderpeople) that I was definitely in. While Ragnarok is far from being the best that the MCU has ever delivered, it provides enough entertaining sequences and funny one-liners that it ultimately overcomes its underwhelming and somewhat boring plot.
While I had hoped that Ragnarok would’ve simply been a super big-budget version of a Waititi film, it’s more just a standard Marvel affair that’s merely afforded a helpful boost by the director’s unique charm. This will probably please the bulk of the superhero moviegoing audience, as Waititi’s quirky comedic style isn’t necessarily the mainstream norm, but it was also a sort of disappointing realization on my part. Still, Thor is in good hands here, and the character’s inclination on being the self-centered airhead within the ranks of the Avengers works. There’s a number of great supporting characters surrounding the hero as well, but I also found the film lacking a substantial driving force.