Peter Jackson’s Braindead (1992) employs parodic conventions in a multitude of forms. From the substantial amounts of exaggerated blood and gore-ridden scenes to the sportive jokes made by the characters, Braindead successfully intertwines comedic conventions in what is portrayed as a zombie-based horror film. Throughout the film, the splatter is in overdrive as the audience is witness to numerous blood-squirting scenes. However, the sound effects that are used mirror a show analogous to The Three Stooges (1925). We see this employed during the appalling lunch scene as Vera’s wounds send projectile globs of blood and flesh into Mr. Matheson’s custard. Of course, as if to taunt the audience, Mr. Matheson unknowingly shoves his face with the gore-infused pudding. It feels as if Jackson intentionally implements this disturbing scene as a horrific presage for what is to come. Following in the footsteps of Stuart Gordon’s Re-Animator (1985), Braindead holds nothing back while seizing the audience’s attention with outrageous splatter effects and slapstick horror techniques while subtly introducing novel elements of romance, semi-sentient zombies and unique comedic constituents.