We each have our own view of writing as a practice and a craft. If writing is your job, for example, you’re likely to see it in a much different way than someone who simply writes for fun. If you are a writer of any variety, and if you have experienced writer’s block, you may have some superstitions as well. You might believe that writing on the weekends messes with your mojo. Writing in the morning may feel more productive for you than writing in the evenings. Or, perhaps, you believe that creating an outline will kill your muse.
To an extent, I understand this belief. The outline is an effort to turn writing from an art into a science, something that appeals to me. Of course, writing is an artistic pursuit no matter how you prepare for it or execute it, but some may see the outline as a regimented intrusion into their muse-fueled world. But perhaps you are placing undue power and blame on the outline. Here’s a quote from Chuck Wendig, overlord of all things writing-related:
“The myth isn’t about the magic; the myth is that the magic is so fickle that something so instrumental as an outline will somehow diminish it. If after outlining a story you think the thunder has been stolen and you don’t want to write it anymore, that’s a problem with you or your story, not with the loss of its presumed magic.”
Don’t blame the outline, writer friends! The outline has your best interests at heart, the outline wants to shepherd you along the path to your story’s perfect ending, the outline only wants to help. I think Chuck makes a good point here — if you outline your story and find that something feels “off,” you should revisit your original plot ideas and re-tool.
If, after reading this post, you are still wary of outlines and believe that they will rob you of any writing magic you possess, I’m afraid I cannot help you. We’ll have to agree to disagree! I, for one, am going to continue using outlines to keep my crazy thoughts and plot ideas in check so that they make sense in the final product. Happy writing!
— Jet Fuel Blog Editor, Mary Egan