Although this is considered my modern cinema series, I am still inclined to include a film from 26 years ago. The reason for Naked’s inclusion is simple: I enjoy the film very much and constitute a modern film as one from the 1990s onward. Even though I am not purposely hunting for the similarities between my previous entries, Naked also embodies a certain segment of society through its main character, which my previous entries of the films Brother [Brat] (1997) and The Debt [Dług] (1999) dealt with. The previous films deal with economic crimes fueled by incentives, whereas Naked harps on chaos, dark comedy, and violence against women. Naked also seems to have more complex dialogue that the other films had only in smaller doses. Johnny, portrayed by David Thewlis, is a character with many idiosyncrasies. His style seems almost stream-of-consciousness as he is not as much of a main character, but rather acts as a shadow that navigates us through the streets of London.