Greetings! After the discussion of Jacques Tardi’s West Coast Blues in my last post, I wanted to turn to another gritty crime-thriller, Floyd Gottfredson’s Mickey Mouse Outwits the Phantom Blot from 1939.
Now, if “Mickey Mouse” and “gritty crime thriller” don’t seem like they belong in the same sentence, I would encourage you to think again. While nowadays, Mickey Mouse is essentially a mascot for the Disney corporation, in the 1930s and ’40s, he took down crime syndicates, solved mysteries, fought the Nazis, and more, all under the pencil of Floyd Gottfredson. If you’re interested in a more thorough discussion of Gottfredson’s Mickey Mouse comic work, you can feel free to read my earlier post here.
At its core, Mickey Mouse Outwits the Phantom Blot is a classic Gottfredson caper, beginning with Mickey being called in by police chief O’Hara (by 1939, Mickey had already helped the police several times) to assist in an investigation into a series of robberies. All the police have to go on is the fact that the sole target of all of the crimes is one particular type of camera, and a series of enigmatic notes signed “The Blot.”
I recently caught myself going through old papers of mine, when I came across some old pieces of tracing paper (I’ve never claimed to be much of an artist) that I had used around the 2nd or 3rd grade. Featured prominently on one of the pages was a tracing of a ferocious dogfight from a beloved childhood comic involving an intrepid pilot trying to take down a villainous pirate airship. This bold hero that I had so lovingly (albeit crudely) rendered was none other than who is arguably the most classic cartoon character of all time, Mickey Mouse, circa 1933.
Mickey Mouse is an interesting character to analyze. His fame and popularity have grown immensely over the years since his creation, but despite his ubiquity, relatively few know very much about what makes him tick which is in large part a result of Mickey’s massive success. Walt Disney made the conscious decision at a certain point to make the mouse a fairly one-dimensional character because he was quickly becoming less of a character and more a symbol for the ever growing Disney corporation. Between this tragic business decision and Mickey’s creation and introduction in 1928, however, lie some of the greatest comics ever written.