Student Feature: Roundtable Reviews of “Halloween (2018)”

Found below are three different perspectives of David Gordon Green’s 2018  horror film, Halloween. Reviews are written by Lewis University students Chanon Penvari, Lucas Mickelson, and Braden Bentley. 

*Spoilers ahead*

Chanon Penvari: Halloween (2018)

https://imdb.to/2QMOtpF

This film is not a remake film of Halloween (1978); instead, this is the story that takes place 40 years after. Since Michael Myers was first introduced in Halloween (1978), Myers has become one of the most iconic serial killers of all time. And, because Halloween’s (2018) timeline is 40 years after the first Halloween (1978), this means Michael Myers has killed five people, and it has been established that Laurie Strode and Michael Myers are not siblings. Michael Myers in Halloween (2018) is hungry for blood after being locked up in the hospital for 40 years.

Halloween (2018) utilizes many close-up shots to help make the viewer uncomfortable, and it also contains a long-take scene that is both thrilling and beautiful. In Halloween (1978), Myers’s signature act was standing still in the background, waiting patiently for the right time to kill. For this particular scene, the director, David Gordon Green, uses rack focus to increase the excitement for the viewer when they see Michael Myers blur in the background, then disappear.

Continue reading

A Community Collaboration: Collaborative Writing

Screen Shot 2019-04-18 at 6.36.34 PM.png
Jet Fuel Review Issue #17 Cover

For our Spring 2019 issue of Jet Fuel Review (with cover art by artist Delano Dunn) there is a special section that presents collaborative writing, which is writing that multiple artist’s crafted. As a way to celebrate the successful launch of our 17th issue, we’ve asked some of students, faculty, and alumni to join in and construct a piece, or multiple,  that they created with their peers.

Presented below is a segment of the Special Section’s introduction as written by JFR Managing Editor, Zakiya Cowan, and a collection of fantastic collaboratively written pieces by some of our very own editors of Jet Fuel Review as well as some members of the Lewis University community. In summation, each of these pieces remain as a showcase of the bridge of collaboration and we are excited to present this talent.

Continue reading

Student Feature: 3 Student Perspectives on “Donnie Darko”

Found below are three reviews of Richard Kelly’s 2001 film, Donnie Darko, written by Lewis University students Hannah Cross, Megan O’Brien, and Joseph Pryzdia.

Hannah Cross:

Donnie Darko
https://imdb.to/2PIyFEk

Donnie Darko, directed by Richard Kelly, sends its audience down the rabbit hole (almost literally) into a twisted idea of time travel. The movie is suspenseful and brilliant as it alludes to other great works, notably: Alice in Wonderland. Donnie is followed by a white rabbit, which is the basis for his hallucinations and visions throughout the film. This movie’s genre lies somewhere in the spectrum of mystery, sci-fi, and teen angst in the John Waters tradition. The audience can easily relate to the feelings that Donnie has about being the outcast, not only in school but also in his family. Its satirical elements bring out some of the darker and dry humor in the movie. The canted cinematography and jagged editing of this film add to the eerie, chaotic, and unsettling feelings to the audience. While the majority of scenes are bright and colorful, every scene with the rabbit becomes visibly dark and muted by design to foreshadow the impending dark side of the film. Continue reading

Student Feature: Zakiya Cowan reviews “City of God”

Fernando Meirelles and Kátia Lund’s 2002 film, City of God, is a vortex that swallows the audience into its cyclic narrative that emphasizes the dangers of toxic masculinity and consequences of the notion “being a man.” As observed in the film, a twisted perspective of manhood can be a bullet that passes through one generation to the next, destined to extinguish them all.

City of God
https://imdb.to/2RlpO8S

Meirelles and Lund’s film is a stunning execution of a labyrinth-like storyline in which the audience delves into the lives of multiple characters. Then, through cinematic moves such as foreshadowing and flashbacks, seamlessly intertwines these plots that become a metaphorical domino effect. As the film progresses, and gradually strips down the plot, we observe how the actions of one character cause a steady disruption in the lives of everyone else. From the jarring, handheld camera scenes, to the drastic shifts in color gradients from deep, saturated blues, to honeyed yellows, the audience experiences the chaotic and disruptive life of the film’s gang members.  Similarly, to the characters in the story, the audience is overtaken by this whirlpool narrative, trapped in “the slum [that had] been a purgatory.” But, “now it’s hell.”

Continue reading

A Community Collaboration: Centos

Jet Fuel Review Issue #15 Cover

Inside our new Spring 2018 issue of Jet Fuel Review (with cover art by Australian artist Jim Tsinganos), you will find a special section that specifically highlights a particular style of poem known as the cento, which is a unique form in which an author creates a piece by stitching together lines borrowed only from the works of others. To help kick-off the launch celebration of our 15th issue, we’ve asked some of our own to join in on the fun and construct a piece or two themselves.

Presented below is a portion of the Special Section’s introduction as written by JFR Assistant Managing Editor, Zakiya Cowan, followed by a collection of wonderful centos written by not only the editors of Jet Fuel Review but also some members of the Lewis University community at large. A few of the writers included here are experienced veterans of the genre, others are amateurs, and some have never written a poem in their adult life. However, each piece remains a showcase of talent and form that we are incredibly excited to share with you.

Read on,

— Michael Lane, Blog Editor

The Jet Fuel Review editors are excited to share with you the noteworthy gem of Issue 15, our cento collection. “Cento” is Latin for “patchwork,” and in terms of poetic form, a cento is a “patchwork” of lines taken from various works. According to the introduction of Hosidius Geta’s Medea:” A Virgilian Cento, by Joseph J. Mooney, Geta’s “Medea” is the first recorded cento, dating back between 200 C.E. and 300 A.D. Classified as a Virgilian cento, “Medea” is composed of lines from works by the ancient Roman poet, Virgil. A Frankenstein-like composition, each line is carefully sutured to the next in order to create thought-provoking images and metaphors that seamlessly weld with one another, and ultimately crafts a piece that pays homage to other’s work while creating a new text.

We hope you both enjoy and appreciate the thoughtful artistry that is involved when constructing the cento, and hopefully discover a newfound love for this longstanding, intricate form.

Read on,

— Zakiya Cowan, Assistant Managing Editor

Continue reading

Student Feature: Roundtable Reviews of “The Babadook”

Found below are three reviews of the 2014 Australian horror film, The Babadook, written by Lewis University students Michael Freeman, Darlyn Olivares, and Kayla Rada.

*Spoilers ahead*

Michael Freeman:

https://bit.ly/2HhGDjM

The Babadook is a terrifyingly stunning film that treats its audience to the minimalistic mundanity of a single parent household while descending into the depths of despair and grief-stricken fear that only an unseen force can create. It is a film with simplicity in its art direction, yet the complexity within its story and angular shots leads us, the audience, to further understand how destructive, beautiful, and horrifying our own denial and repression of memories can be. Using our childlike sense of wonder and imagination through the use of a storybook, we see the unraveling and torment of a tapped-out mother dealing with the uncontrolled problems of her past trauma and, now, with her own son. The music in this film provides a sense of eeriness as if we have heard the faint chime or the grumbling growl that crescendos as we get closer to the source.

The Babadook throws its audience into an emotional and mental meat grinder from start to finish. We are enthralled by the disturbance of this family ordeal and will stop at nothing, as the characters do, to look for closure. And yet, even though we may not receive an explicit resolution upon the film’s ending, we are left with a hopeful and subtle conclusion that leaves a bittersweet fulfillment. Jennifer Kent, the writer and director of this truly wonderful film, deserves the accolades for this stunning display of hope.

Continue reading

Artist’s Portfolio: Angela Morris

Found below is a collection of the lively, exceptional artwork of Angela Morris, a Lewis University student that we’re ecstatic to feature here. We’ve interlaced Morris’ bio and process piece between the eight hand-picked pieces we’ve highlighted in this post. See for yourself the stunning artistry of this young talent.

Angela Morris

Angela Morris’ Bio:

I am a senior Illustration major at Lewis University. Experienced in multiple mediums, I had my first gallery show in the Caterpillar Gallery in Romeoville in the fall of 2016.

Continue reading

Student Feature: Roundtable Reviews of “The House of the Devil”

Found below are three reviews of the 2009 indie horror film, The House of the Devil, written by Lewis University students Alec Pace, Kayla Carson, and Gabrielle Vasilevskis.

*Spoilers ahead*

Alec Pace:

http://bit.ly/2FQna5H

The House of the Devil is a methodically structured film that highlights the monstrosities of the human psyche. Although the film’s slow-paced narrative may seem daunting to a viewer’s attention span, the director’s elaborate storytelling and strikingly visual ending make the viewing worthwhile. From the beginning, we are placed in Ti West’s homage to the 1980s as Samantha Hughes (Jocelin Donahue) walks back to her dorm room while listening to her Walkman. This is not the film’s only relationship to the 1980s as it was shot on 16mm film, which gives it a  similar grainy look as many vintage films did in that era.

These retro elements of the film present feelings of nostalgia and intertextuality to films such as Halloween 1978, especially in relation to voyeurism. From the beginning, it seems that Samantha is being violated when Mr. Ulman stands her up at the school and lies to her about the details of the babysitting job. By this point in the film, Samantha is already the victim, before even confronting the two demons of the house. As Samantha’s stay in the Ulman’s house continues, she is forced deeper into a dark pattern by uncovering insightful clues on who the owners of the house really are. By halfway through the film, Samantha is already helpless; every time she comes closer to the truth of why she’s there, there is already someone one step ahead of her. That person is Victor Ulman, who we share the perspective of as we see Samantha sitting on the couch through the window. Not only does this first-person shot share elements to the opening scene of Halloween 1978, but it also puts the audience in the shoes of the violator.

Continue reading

Student Feature: An Intergalactic Road Trip for the Ages – A Review of “Thor: Ragnarok”

Below is a review of the recently-released Thor: Ragnarok, written by Lewis University student Jerry Langosch. 

http://imdb.to/2cktPWF

Since 2008 with the release of Iron Man, Marvel Studios have been, like clockwork, pumping out energetic, focused films in their Marvel Cinematic Universe (MCU). They tell the tales of their plethora of superheroes and villains to the tune of millions of dollars in production costs, but billions in return from the box office, with 2012’s The Avengers being the shining star (making $1.5 billion on a $220 million budget). The Thor franchise, though, sticks out from the most from the bunch, as it is rooted in real Norse mythology. And though it is a tall order to hand over such material so heavily-rooted in mythology to any filmmaker, Marvel’s decision to put New Zealand’s Taika Waititi behind the third entry in this series is, astonishingly, the best move that the company has made in tapping directorial talent to date.

Continue reading

A Community Collaboration: Bouts-Rimés

Jet Fuel Review Issue 11 Cover
Jet Fuel Review Issue 11 Cover

For issue #11 of the Jet Fuel Review, we’ve included a special section that features a sampling of pieces that all share a prevailing theme, with this issue’s special theme being a collection of bouts-rimé poetry.

A bouts-rimé is a literary game in which poets are given a predetermined set of words that they must center their poems around. Literally meaning “rhymed-ends” in French, a bouts-rimé is a type of sonnet, three quatrains and a couplet with an abab cdcd efef gg rhyme scheme. Since the fourteen words that we chose were challenging, we decided that adherence to iambic pentameter would be optional.

The selected fourteen words were required to be used at the end of each line (hence, “rhymed-ends” as the translation) and in the order they were given. All of the Jet Fuel Review editors collaborated in coming up with interesting words to stump poets. Here are the fourteen words we decided on: envelope, orange, telescope, singe; eyelash, wire, mustache, fire; underhand, render, ampersand, tender; photogenicpomegranate.

Seeing what the poets were in for, we felt that it would only be right for us, the editors, to attempt to write bouts-rimés ourselves. After feeling the frustration firsthand, we could not be more pleased with how many lovely bouts-rimés we received in response to our seemingly impossible task.

— Sam Gennett, Assistant Managing Editor

Presented below are the editors’ attempts at writing poems using our specific bouts-rimé guidelines. These poems have all been written by Jet Fuel Review editors and other Lewis University students/alumni.

To see the poems that made the cut in issue #11, follow the link here.

Continue reading