K.O. to Consciousness: An Analysis of “Thelma”

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A year ago I went on a YouTube binge of sci-fi movie trailers and somehow ended up viewing the trailer for Thelma (2017), a Norwegian film directed by Joachim Trier, that combines mystery, thriller, and drama genres for a contemporary twist. The trailer stuck out and was in my mind days after, as it was captivatingly creepy and stirred my fright. In turn of my inherent fear to watch anything that could be the least bit terrifying and weaponize my imagination against me, I hesitated to ever give the movie a watch. Yet recently, I went to the theatre with friends to see The Nun. The film included everything that I typically hate in horror films—ghosts and possession—but I walked away from that movie cracking jokes about the bad dialogue, movie makeup, and the plot holes big enough for a human to fall through. After watching The Nun, I figured if I didn’t go home worried about sisters decked in habits hiding in the darkest recesses of my closet at night, then I could make it through Thelma.

*Spoilers Ahead*

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