Basement Dwelling: “Humanz” by Gorillaz

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It’s bothersome to hear people talk about Gorillaz. Sure, Gorillaz are a widely loved and celebrated act, and they have been for nearly 20 years now. But one of their greatest strengths is also one of their biggest setbacks.

It’s idiotic to me that the animated world of Gorillaz, co-created by legendary underground comic artist Jamie Hewlett, and which serves as the stylistic umbrella for a global and multigenerational collaborative music project, proves to be such a turnoff for people.

I often hear, “I’m not in the mood to listen to a new Gorillaz record.” Or, “I haven’t listened to Gorillaz in years,” said with an uppity, I-have-no-time-for-this-kids-crap kind of pretension. I hear it all the time. But the worst is when I simply hear someone say, “I hate them.”

These all translate to, “I don’t want to listen to something that my anime-watching, comic-reading coworker listens to.” It’s bullshit and it totally exists — don’t deny it. It’s a very lazy argument, and I’d say that even without my personal bias. Gorillaz is a project that represents artistic unity and bridging gaps to deliver a message that we as a people desperately need, especially in our current turbulent dystopia. This is the point of Humanz’ entire existence.

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