Greetings! After the discussion of Jacques Tardi’s West Coast Blues in my last post, I wanted to turn to another gritty crime-thriller, Floyd Gottfredson’s Mickey Mouse Outwits the Phantom Blot from 1939.
Now, if “Mickey Mouse” and “gritty crime thriller” don’t seem like they belong in the same sentence, I would encourage you to think again. While nowadays, Mickey Mouse is essentially a mascot for the Disney corporation, in the 1930s and ’40s, he took down crime syndicates, solved mysteries, fought the Nazis, and more, all under the pencil of Floyd Gottfredson. If you’re interested in a more thorough discussion of Gottfredson’s Mickey Mouse comic work, you can feel free to read my earlier post here.
At its core, Mickey Mouse Outwits the Phantom Blot is a classic Gottfredson caper, beginning with Mickey being called in by police chief O’Hara (by 1939, Mickey had already helped the police several times) to assist in an investigation into a series of robberies. All the police have to go on is the fact that the sole target of all of the crimes is one particular type of camera, and a series of enigmatic notes signed “The Blot.”