I recently caught myself going through old papers of mine, when I came across some old pieces of tracing paper (I’ve never claimed to be much of an artist) that I had used around the 2nd or 3rd grade. Featured prominently on one of the pages was a tracing of a ferocious dogfight from a beloved childhood comic involving an intrepid pilot trying to take down a villainous pirate airship. This bold hero that I had so lovingly (albeit crudely) rendered was none other than who is arguably the most classic cartoon character of all time, Mickey Mouse, circa 1933.
Mickey Mouse is an interesting character to analyze. His fame and popularity have grown immensely over the years since his creation, but despite his ubiquity, relatively few know very much about what makes him tick which is in large part a result of Mickey’s massive success. Walt Disney made the conscious decision at a certain point to make the mouse a fairly one-dimensional character because he was quickly becoming less of a character and more a symbol for the ever growing Disney corporation. Between this tragic business decision and Mickey’s creation and introduction in 1928, however, lie some of the greatest comics ever written.
Patience, the latest graphic novel from Daniel Clowes (Ghost World, Like a Velvet Glove Cast in Iron), presents a story that is very much rooted in themes that the author has been exploring for some time, but also reaches beyond anything that he has done previously. The plot of Patience revolves around Jack Barlow, a man who travels through time to prevent the murder of his wife Patience. From that basic premise, Clowes is able to accomplish a great deal, exploring masculinity, justice, anger, the nature of consciousness, and love, in what is arguably the most firmly developed narrative found in any of his books.
Patience continues in the science fiction vein last explored by Clowes in his 2011 novel The Death-Ray, with time travel being a significant vehicle for the plot. The science-fiction aspect of the story is never overemphasized, however, leaving much more time for the human element to be examined. The novel opens in 2012, with Jack and Patience living together as a happy but anxious couple who are madly in love and about to become parents. It is implied that Patience has had a troublesome and abusive past, about which Jack knows very little. I never got the sense that this is because of outright callousness, however, but rather due to Jack not wanting to even think about Patience suffering. This bubble is burst when he arrives home to find Patience dead on the floor of their apartment, a narrative box telling the reader, “And this is where my story begins.”
Hello, fellow comic fanatics! While this is technically the second installment of Words an’ Pictures, it is the first in which I will actually be primarily discussing comics and not just rambling about myself (as I did in my introductory post). As such, I figured that it would be good to kick things off by discussing a true classic, and the first thing that came to my mind were the many fantastic comics published by E.C. (Entertaining Comics) way back in the 1950s.
For those unfamiliar, E.C. began as Educational Comics, and was run by a man named Max Gaines from 1944 up until his death in 1947. After this, E.C. was taken over by Gaines’ son, William, who not only changed the name of the company to Entertaining Comics, but also proceeded to change the world of comics forever.
E.C.’s landmark titles included Tales From the Crypt, The Vault of Horror, The Haunt of Fear, Two-Fisted Tales, Weird Science Fiction, and Mad, and they were written and drawn by some of the absolute best talent the medium has ever seen. These comics had such an impact, even, that there was also a cult television show produced by HBO in the 90s devoted to adapting E.C’s horror and crime stories that borrowed the Tales From the Crypt moniker(an excellent examination of which can be found in JFR Blog Editor Michael Lane’s series here).
To try to discuss all aspects of E.C. comics in one post would be insane, so instead I will focus in on one particular title this week — and it is arguably my favorite of their catalog: Shock Suspenstories. The stories contained within it proved that aside from being masters of science-fiction, brilliant humorists, and slingers of gore, the good “boils” and “ghouls” at E.C. were true patriots.
As far back as I can remember, I always read comics.
When I was a kid, a large part of my life was made up of the stories that I read, and the earliest memories I have of reading come from comics. From the heroism of Tintin and Mickey Mouse, to the fearless wit of Harvey Kurtzman, to the profoundly human attempts of Calvin and Hobbes to understand the world around them, it seemed like everything I needed could be found in the pages of a comic book. And as I have grown older, I’ve found that very little has changed.
Warner Bros. and DC Comics’ attempt at rivaling Marvel Studios’ Cinematic Universe is a valiant effort, and I can’t stress that enough. The execs at WB and DC are in a position I would loathe to be in. If only they had one universally liked film under their belt — something akin to Marvel’s first entry in their MCU, 2008’s Iron Man — I’d feel less bad for DC. But so far, the DC Extended Universe’s track record has been unsatisfactory following the lukewarm receptions of 2013’s Man of Steel, and Batman V. Superman: Dawn of Justice, which saw its release this past March.
Hoping to appeal to a wider audience — one that’s riding on the hype of more comedic comic book movies like Deadpool and Guardians of the Galaxy — DC’s latest attempt is writer/director David Ayer’s Suicide Squad, whichcomes off as a direct response to Marvel’s Guardians. Sadly, and I really hate to say this, but it may be the DCEU’s worst film yet. In fact, I’d go as far as to say it’s downright terrible.
Hey, everyone! Blog editor Michael Lane here. Today is an exciting day for the blog, at least in my eyes. Fellow blogger Dan Fiorio and I are both big fans of comics, and we’ve been kicking around the idea of doing a podcast about comics for a long time.
Well, we finally got together and recorded one! So, here’s the inaugural episode of our comic book podcast, Infinite Canvas!
Today’s topics include Deadpool, Dark Knight 3, Saga, and a feature on the three comics that have had the biggest impact on how we perceive the medium.