Below are two Lewis University students’ perspectives on the 2014 horror film The Babadook.
Raw, creepy, and thought provoking: The Babadook is designed to give the viewer an inside perspective on what depression feels and looks like, and it succeeds. In The Babadook, there is no romanticizing this disease, which is cleverly disguised as Mister Babadook. Jennifer Kent’s first feature-length film was not wasted with this incredible picture. Beautiful cinematography and allegorical expression are used brilliantly to cover a subject that is sometimes kept in the basement, under lock and key.
We are introduced to Amelia Vannick (Essie Davis) and her son Samuel (Noah Wiseman), and instantaneously, due to the superb misè-en-scene, it is painfully obvious that this is a tense household. The feelings that are presented through the use of these elements give such believable verisimilitude that it is hard not to imagine yourself in Amelia’s situation.
Is it possible for a man to be a complete rock star, on the opposite side of the world, in a country he has never visited, and never know about it? For many South Africans, Sixto Rodriguez was a lot more than rock star. He was social icon; an outsider who was saying the things they wanted to say but simply could not. Searching for Sugar Man (2012), directed by Malik Bendjelloul, is an eye-opening, heart-touching documentary on the legend and mystery behind the man simply known as Rodriguez.
Searching for Sugar Man won the Best Documentary category at the 85th Academy Awards. Rodriguez opted not to attend the event because he did not want to overshadow, or take away from the creators of the film. This selfless gesture summarizes, on a few levels, the path of life chosen by Rodriguez, or, even, the path that he passed up.
You know what day it is? It’s Tuesday, and that means Jake and I have yet another incredible playlist of 20 songs for your listening pleasure.
Unfortunately, Kendrick Lamar’s new album Damn was not released this past Friday as it was rumored, but it was officially announced for release this Friday, April 14!
Good news, however, is that Joey Bada$$’ latest record, ALL-AMERIKKKAN BADA$$ did see its release this past Friday, and it’s damn good. For the Jukebox opener, I’ve highlighted my favorite track from the record, “Temptation.”
Along with this, I’ve featured Gorillaz’ latest release and Jake has featured Harry Styles’ new solo single, “Sign of the Times.”
Hello, and welcome back to Sabrina’s Book Corner! This week we are going to be discussing As You Wish by Jackson Pearce.
When Viola’s boyfriend breaks up with her, she’s left feeling unloved and without a place to belong. Viola wishes so badly to belong again that she accidentally summons a genie. At first, all Viola notices is that someone seems to be following her.
It isn’t until she points out the stranger, and her best friend and ex-boyfriend — yes, that ex-boyfriend — say they can’t see anyone that she begins to worry. Viola decides to ignore the stranger that only she can see, and it works until she gets home. The stranger is standing in Viola’s bedroom demanding that she make her wish.
All Jinn wants is to return home. When a jinn is assigned to a human master, the master has three wishes, and the jinn must remain on earth until the three wishes have been used. While jinn are on earth, they age as humans do, and if Jinn hates anything, it’s aging. Jinn is hoping that his new master will wish quickly so that he may return home, but Viola does not want to use her wishes.
As Viola and Jinn spend more time together, their friendship grows, but both know that eventually Viola has to wish. Humans and jinn were not meant to co-exist or be friends.
As You Wish is a magical read that shows that companionship and acceptance can be found in unexpected places. Pearce weaves an enchanting tale of camaraderie and belonging that you don’t want to miss.
Recently, we featured reviews from two students on the 2009 film The House of the Devil. Below is another perspective on the same film, written by Jet Fuel Review Managing Editor Sam Gennett.
For film fans who are nostalgic for the ‘80s but are tired of re-watching Halloween to get their retro-horror fill, Ti West’s The House of the Devil (2009) is a refreshing rejuvenation of late ‘70s and early ‘80s horror. Shot on 16 mm film, this movie seems to have been teleported from the ‘80s into the 21st century. With the grainy film look, dim cinematography, and use of Mötley Crüe’s “Kickstart My Heart,” West brings viewers back to the good ol’ days of flannel, indoor ashtrays, and Satan worship.
Samantha (Jocelin Donahue), desperate for money, takes a babysitting job, but didn’t we all learn what happens when you babysit after watching Elizabeth Shue in Adventures in Babysitting (1987)? Clearly, Samantha missed that film because she coerces her friend into driving her to a house in the middle of nowhere. They pass a cemetery on their way there, and the shot is briefly superimposed over the establishing shot of the house, effectively foreshadowing events to come.Continue reading →
James Gunn (Guardians of the Galaxy, Slither) is one of the premiere screenwriters working in Hollywood today, but his near-spotless track record doesn’t save the latest film credited with his writing, The Belko Experiment, from disappointing mediocrity. It’s too bad, as the premise alone should have made for an exciting moviegoing experience, but the self-seriousness, uninspired filmmaking, and extremely underwhelming ending results in a messy, unrewarding watch.
The poster for the The Belko Experiment cites it as a sort of “Office Space meets Battle Royale,” but the comparison to Office Space starts and ends with the fact that it’s set inside an office building, and it’s only like Battle Royale in that it’s central idea revolves around a group of people who are forced to murder each other. Unfortunately, The Belko Experiment isn’t nearly as hilarious as Office Space, nor as exciting as Battle Royale.
Searching for Sugar Man, directed by Malik Bendjelloul, is a documentary that tells the story of an “invisible” musical genius, and his profound influence during the rock n’ roll era. Sixto Rodriguez, a humble and grounded musician, acted as a revolutionary icon for the youth of South Africa throughout the 1970s.
Searching for Sugar Man is a true story that brilliantly depicts the music career of a man that “never existed.” Although Rodriquez touched the hearts of thousands of people, he remained a mystery to the rest of the world. To unveil the mystery of the legendary figure, fans worked together in order to analyze Sixto’s well-written lyrics. His impact was tremendous, but his music was the only piece of him that seemed to exist.
This documentary takes the audience on an adventure in which they can experience the fascinating exploration for the “Sugar Man” himself. Malik Bendjelloul’s incredible artistic abilities comment on the film in a unique way that captivates the audience.